"Until you make the unconscious conscious, it will direct your life and you will call it fate." — Carl Gustav Jung
ABOUT
About Anas Tangi
Who is this guy?
The Roots
Anas hails from the vibrant landscapes of Morocco, where from his earliest days in the classroom, he sensed the imminent emergence of a dual cultural and identity dynamic. Balancing lessons in two distinct languages, Arabic and French, in a nation steeped in the richness of African, Berber, and Arabic linguistic tapestries, he navigated the intricate fabric of diverse cultures and traditions. Amidst this multicultural milieu, Anas found himself drawn to an unexpected fascination— the pre-rave culture of the 80s. This intriguing inclination was spurred by the advent of satellite TV, a privilege that exposed him to sounds and visuals from far-off lands,
Anas hails from the vibrant landscapes of Morocco, where from his earliest days in the classroom, he sensed the imminent emergence of a dual cultural and identity dynamic. Balancing lessons in two distinct languages, Arabic and French, in a nation steeped in the richness of African, Berber, and Arabic linguistic tapestries, he navigated the intricate fabric of diverse cultures and traditions. Amidst this multicultural milieu, Anas found himself drawn to an unexpected fascination— the pre-rave culture of the 80s. This intriguing inclination was spurred by the advent of satellite TV, a privilege that exposed him to sounds and visuals from far-off lands, a phenomenon still deemed controversial in Europe and the UK. Remarkably unfazed by the cultural disparities, the young Moroccan felt an inexplicable sense of belonging, finding solace in the allure of “music made with synths.” This early encounter sparked Anas’s contemplation of audio production and composition, setting the stage for a journey into the realms of musical expression.
1980
a phenomenon still deemed controversial in Europe and the UK. Remarkably unfazed by the cultural disparities, the young Moroccan felt an inexplicable sense of belonging, finding solace in the allure of “music made with synths.” This early encounter sparked Anas’s contemplation of audio production and composition, setting the stage for a journey into the realms of musical expression.
1992
This coincided with the surge of these sounds in clubs in his hometown. Positioned at the nexus of time and space, Anas seized the opportunity to catch the wave. In this right place at the right time, he immersed himself in the kaleidoscope of electronic music’s hues, experiencing its flourishing for the first time in history at a tender age.
Third Culture
At 10, Anas relocated to Italy with his family. For young Anas, this meant navigating a new language and embarking on a fresh life. Yet, optimistically, it unveiled a world ripe for exploration. This shift profoundly shaped his identity. Italy, steeped in history and art, became a fount of inspiration. However, Anas’s primary fascination still resided in the rave culture that initially captivated him on Moroccan TV. Settling in Brescia amid the Euro-dance boom, Anas found himself surrounded by beats of rave techno and trance echoing from Europe.
At 10, Anas relocated to Italy with his family. For young Anas, this meant navigating a new language and embarking on a fresh life. Yet, optimistically, it unveiled a world ripe for exploration. This shift profoundly shaped his identity. Italy, steeped in history and art, became a fount of inspiration. However, Anas’s primary fascination still resided in the rave culture that initially captivated him on Moroccan TV. Settling in Brescia amid the Euro-dance boom, Anas found himself surrounded by beats of rave techno and trance echoing from Europe. This coincided with the surge of these sounds in clubs in his hometown. Positioned at the nexus of time and space, Anas seized the opportunity to catch the wave. In this right place at the right time, he immersed himself in the kaleidoscope of electronic music’s hues, experiencing its flourishing for the first time in history at a tender age.
Transition
The year was 1992 when Anas heard “Rhythm is a Dancer” by Snap! at Gardaland, an amusement park where he happened to be spending the weekend with his family. Without the use of modern tools like Shazam, he had no idea who the artist was, so in the following days he began to listen to the radio, hoping that the song would play, and that its title would be announced over the air. In the process, he discovered several programs that played similar music, his favorite being, “Deejay Parade”. This then evolved to buying cassettes. He would listen for days on end, analyzing the production, as this was sonic quality he had never heard before. Having grown up around traditional records, he always enjoyed music, but the concept of mixing was still foreign to him. In a time before Google, you had to speak face to face
1993-1996
1995
Anas’ music production career. In 1999, he released his debut EP “The Power Is Mine” in Milan, which granted him the opportunity to perform for the first time at the local club, “DYLAN – Ritmodromo Italiano.” In the year 2000, he performed in his beloved club, “Discoteca Number One,” where he had spent most of his weekends since setting foot in Italy. Afterwards, he was booked abroad, where he met and performed with his favourite DJs and producers.
DJ, Clubs & Hardcore
Up until 1995, Anas had only been into Eurodance and progressive music. This was a period in which the quality of such music was at its peak. Still, he felt as though something was missing. He was subconsciously seeking something slightly more abstract and aggressive. Returning to the record store, Anas discussed what he was looking for: an underground sound, meant for stomping, featuring little to no lyrics. It was then that the shop owner introduced him to Acid Techno and Hardcore. Having found what he was looking for, Anas began to study the music further. At that time, a conventional studio was unattainable, but as soon as he got his first computer, he found a software called “Tracker.” With the help of some audio editors and samples, 1996 began Anas’ music production career. In 1999, he released his debut EP “The Power Is Mine” in Milan, which granted him the opportunity to perform for the first time at the local club, “DYLAN – Ritmodromo Italiano.” In the year 2000, he performed in his beloved club, “Discoteca Number One,” where he had spent most of his weekends since setting foot in Italy. Afterwards, he was booked abroad, where he met and performed with his favourite DJs and producers.
Bivium
After studying mechanical engineering throughout high school, Anas proceeded to the School of Aeronautics in Bergamo, Italy. He graduated as an aeronautical engineer and worked at Ocean Airlines. This brief stint provided him with a candid glimpse into the realities of the aeronautical industry – dwindling salaries, limited job opportunities, escalating demands, and the burden of expensive licenses. Faced with a challenging decision, he found himself at a crossroads. Should he deepen his commitment to his career, or should he redirect his focus towards music? Reflecting on the situation, it became evident that an industry where financial privilege often overshadowed skill and merit was one to be viewed with skepticism.
After studying mechanical engineering throughout high school, Anas proceeded to the School of Aeronautics in Bergamo, Italy. He graduated as an aeronautical engineer and worked at Ocean Airlines. This brief stint provided him with a candid glimpse into the realities of the aeronautical industry – dwindling salaries, limited job opportunities, escalating demands, and the burden of expensive licenses. Faced with a challenging decision, he found himself at a crossroads. Should he deepen his commitment to his career, or should he redirect his focus towards music? Reflecting on the situation, it became evident that an industry where financial privilege often overshadowed skill and merit was one to be viewed with skepticism. Anas recognized that his true calling lays in the realm of music, a realization that transcended any fleeting job prospects. Without hesitation, in 2008, he decisively closed the corporate chapter, embracing a return to music production.
2005
Anas recognized that his true calling lays in the realm of music, a realization that transcended any fleeting job prospects. Without hesitation, in 2008, he decisively closed the corporate chapter, embracing a return to music production.
2012
as well as the ins and outs of the music business, if he had any hopes of producing and distributing music. In order to expand his musical horizons, he moved to Berlin. Here he “studied” techno music and was exposed to a whole new culture. Shortly after, he moved to the UK. London had become a powerhouse in the industry, so it was there that he set the foundation of what would later become his record label: Vitamin Hertz Records.
Records Time
By the year 2000, everything in the music industry was changing drastically. With records no longer being pressed, labels were no longer in high demand, and music distribution had become an online service; The old model was dying. Now, everyone had the tools necessary to produce and distribute music, without need for a label or physical distribution. The inevitable downside of this massive shift was the rise of fierce competition, as there were too many tracks to listen to, a lack of quality of control, and social chaos. Those were the years of the minimal Techno hype, Beatport elitism, and a new platform we all know as “YouTube.” Anas would have to learn social media marketing,
By the year 2000, everything in the music industry was changing drastically. With records no longer being pressed, labels were no longer in high demand, and music distribution had become an online service; The old model was dying. Now, everyone had the tools necessary to produce and distribute music, without need for a label or physical distribution. The inevitable downside of this massive shift was the rise of fierce competition, as there were too many tracks to listen to, a lack of quality of control, and social chaos. Those were the years of the minimal Techno hype, Beatport elitism, and a new platform we all know as “YouTube.” Anas would have to learn social media marketing, as well as the ins and outs of the music business, if he had any hopes of producing and distributing music. In order to expand his musical horizons, he moved to Berlin. Here he “studied” Techno and was exposed to a whole new culture. Shortly after, he moved to the UK. London had become a powerhouse in the industry, so it was there that he set the foundation of what would later become his record label: Vitamin Hertz.